Synopsis:
As kids, Emily and Chess were inseparable. But now in their mid-thirties, their bond has been strained by the demands of their adult lives. When Chess suggests a girls’ trip to Italy, Emily jumps at the chance for a retreat and to reconnect with her best friend.
Villa Aestas in Orvieto is a high-end holiday home. But in 1974, it was known as Villa Rosato and rented for the summer by Scottish rock star Noel Gordon. In an attempt to reignite his creative spark, Noel invited up-and-coming musician Pierce Sheldon to join him there, along with Pierce’s girlfriend, Mari, and her stepsister, Lara. He unwittingly set in motion a chain of events that led to Mari writing one of the greatest horror novels of all time, Lara composing a platinum album . . . and resulted in Pierce’s brutal murder.
As Emily researches the villa’s notorious history, she begins to think there might be more to the story of that fateful summer of 1974 than has been previously revealed. Perhaps Pierce’s murder wasn’t just a tale of sex, drugs, and rock & roll gone wrong. Perhaps something more sinister occurred and clues might be hidden in the now-iconic works that Mari and Lara left behind.
Yet the closer that Emily gets to the truth, the more tension she feels developing between her and Chess. As secrets from the past come to light, equally dangerous betrayals from the present also emerge. It begins to look like the villa will claim another victim before the summer ends.
Author Rachel Hawkins was inspired by Fleetwood Mac, the Manson murders, and the infamous summer Percy and Mary Shelley spent with Lord Byron at a Lake Geneva castle that was the birthplace of Frankenstein to pen a deliciously wicked, gothic suspense novel set at an Italian villa with a deadly legacy.
Review:
Rachel Hawkins was born in Virginia and grew up in Alabama. She penned her first thriller — featuring a unicorn, witch, and princess — in kindergarten and has gone on to write more than a dozen additional books, including The Wife Upstairs and Reckless Girls, both of which became New York Times bestsellers. She also writes paranormal romantic comedies such as The Ex Hex and The Kiss Curse as Erin Sterling. She lives in Auburn, Alabama with her family and numerous cats, and has a habit of taking up hobbies for a just a week or two before losing interest, although she never loses interest in reading.
About The Villa, Hawkins says “there are a lot of stories happening all at once.” She describes it as being about friendships and, more specifically, female friendships and toxic relationships. It is also about writing, art, sex and gender, and, or course, money. The current-day story focuses on Emily, a published author of a cozy mystery series featuring an amateur sleuth named Petal Bloom who lives in a little town called Blossom Bay. Emily is nearly thirty-six years old, still living in Asheville — the town in which she grew up — and nothing in her life has been going well for quite some time. She was physically ill for more than a year while a definitive diagnosis and appropriate treatment plan evaded her physicians. Her seven-year marriage to Matt imploded and now she’s having trouble focusing on drafting the next installment in the Petal series, “A Gruesome Garden,” in part because Petal’s love interest, Dex, was modeled on Matt. She needs to finish the book not just to fulfill her contractual obligation. She needs the money to pay her attorneys because her pending divorce has become toxically acrimonious. Matt is suing for a significant portion of her royalties and future earnings, based on Emily’s assertion during an interview that the books would not exist without her husband.
Ironically, though, since separating from Matt, Emily’s health has improved and she is feeling well enough to meet her childhood friend, Chess Chandler, who is in town for a book signing. The two women were childhood friends — when Chess was known first as Jessica and, later, Jay — but rarely see each other. Chess has become a wildly successful self-help guru, publishing books with titles like “You Got This!” Her career began when advice she doled out on a website launched by a friend went deal. “Things My Mama Never Taught Me” (Chess did not have a good relationship with her mother, Nanci) became an instant bestseller, with Chess telling woman how to get their lives on the “Powered Path” and chatting with Oprah about it. In her first-person narrative, Emily admits that “somewhere around the time she started calling herself ‘Chess,’ I realized I might actually hate my best friend.” Part of the reason may be that Emily’s life is decidedly “not on the Powered Path.”
Still, Emily agrees to meet Chess for lunch, and they fall back into their old dynamic. And, as always, Chess has a plan. She wants Emily to accompany her to Italy to stay at the sumptuous Villa Aestas just outside Orvieto for six weeks, during which they will work on their respective upcoming books. Emily can’t resist the pull of six weeks away from her house and the rut she is in. “Six weeks to try and get my career back on track and reignite my sense of purpose.” Of course, since the setting is gorgeous, she can also post beautiful photos on Instagram and Facebook that Matt will see. Chess is feeling pressured by her publisher to come up with her next volume of pithy advice for the masses.
Hawkins employs a parallel narrative focused on Mari Godwick, the author of “Lilith Rising,” which was a publishing phenomenon in 1976. Mari was barely out of her teens when she joined the ranks of mostly male writers with the story of a girl named Victoria Stuart who “brings about the destruction of those she loves with no regret, single-minded in her focus in the way teenage girls certainly are in real life, but had not been permitted to be in the realms of horror fiction.” By the time the book was released, Mari, inspired by Mary Shelley, who wrote Frankenstein, was already famous — or perhaps, more aptly, infamous — because of a tragedy that occurred at Villa Rosato (the prior name of Villa Aestas) during the summer of 1974. Mari traveled there with Pierce Sheldon, her would-be rock star boyfriend, as well as her stepsister, Lara Larchmont, as guests of Noel Gordon, a legitimate Scottish rock star and one of Pierce’s idols, modeled after Lord Byron. Also staying at Villa Rosato is Johnnie Dorchester, whose relationship with Noel is murky, at best. At only twenty-six years old, Noel is the senior member of the group. Pierce is twenty-three and Johnnie is twenty, but Mari and Lara are only nineteen years old. And Mari, in particular, the daughter of literary royalty, has already experienced life events normally reserved for adults.
By interspersing excerpts from various articles and podcasts, Hawkins reveals some of the events that took place in 1974. The technique is highly effective, enticing readers to forge on in order to learn how and why those events unfolded. Hawkins has gathered an eclectic and multi-layered group of characters at Villa Rosato. Noel is an established star who has too much money and time to spend between engagements, so he rents Villa Rosato to keep the party going all summer. Purportedly, he and Pierce are there to compose songs together — the chance to work with Noel could bring Pierce the career breakthrough he has been seeking. But as the weeks go on, not much music gets made, and Mari is increasingly frustrated. Her life with Pierce is supposed to be about the two of them pursuing their art — his music and her writing. But art cannot be the focus of one’s life when money needs to be made in order to survive. Drugs, and sexual experimentation and dalliances cause jealousy, resentments, and distrust, as Johnnie’s purpose there gradually becomes clearer, along with his feelings about the other guests. Hawkins says that creating the character of Pierce was the most challenging aspect of drafting The Villa because she had to make him “appealing enough that we understand why both Mari and Lara loved him while also showing just how destructive and oblivious he could be . . .” Indeed, Pierce is both endearingly confused about his life and choices, and despicably self-centered and callous.
The most intriguing aspect of the storyline is Mari’s journey, as she navigates her relationships with her housemates and ponders her future, while taking inspiration for the novel that will become her masterpiece from the villa itself, along with snippets of prose that come to her. “Houses remember. She has no idea where she’s going with that thought, but it had popped into her brain and she’s written it down, sure it was the beginning of . . . something. Something big, some story just sitting coiled inside of her, ready to spring out fully formed.” She wants to focus on her writing and tell the story that she can feel taking shape in her imagination. Lara lurks on the edges of the group, craving attention. She has a history with and feelings for Pierce, and Mari does not trust her. Indeed, she and the others find Lara’s cloying attempts to be noticed and desire for validation annoying. But Lara and Mari have been inextricably intertwined for years, and their bond grows stronger during that revelatory and life-changing summer.
In the present day, Emily is inspired to write, as well. But she has no interest in continuing Petal Bloom’s story. Rather, she learns about the villa’s notorious history and begins researching what happened. Like Mari’s, her search proves consequential in a variety of ways. Emily, like Mari, is a fully developed character and her emotional struggle is palpable. She is well aware that she has arrived at a crossroads in her life, and is determined to carve out a happier future for herself. She is also intent on keeping Chess from co-opting her impending success. Like the relationship of Mari and Lara, Emily’s long friendship with Chess is complicated and riddled with old hurts, resentments, jealousy, and distrust. Secrets and betrayals are revealed. But they are bound together through history and shared experiences, and neither of them has the desire — or strength — to completely untangle their relationship. As Hawkins details the history of their friendship, she reveals that Emily has always been more naive and gullible than Chess, who has parlayed her natural wit and charisma into an empire. Emily knows the real Chess, rather than the one who inspires other women to buy her psychobabble-laden advice. But Emily is not guileless and as she delves further into the history of the villa and its former visitors, the inherent unreliability in her narrative becomes apparent. Is Emily a hapless victim of others’ manipulations or does she have a dark nature, as well? Can her friendship with Chess withstand bombshell revelations and calculated machinations? Should it? The story’s pace never stalls as Hawkins injects surprising twists at perfectly timed intervals.
The Villa seamlessly combines two evocative storylines set nearly five decades apart but with eerie parallels. Hawkins examines artistry and the mysterious genesis of inspiration, as well as the mercurial nature of friendships and the destructive power of toxic relationships. Hawkins related that she was inspired to explore “the idea of how art and life intersect, how great art can get made in the middle of chaos and the way artists inspire and also possibly derail one another.” And she does so in an absorbing, suspenseful and, ultimately, entertaining mystery.
Also by Rachel Hawkins:
Excerpt from The Villa
CHAPTER ONE
Somewhere around the time she started calling herself “Chess,” I realized I might actually hate my best friend.
It was the third name she’d given herself in the nearly twenty years I’d known her. When we’d met in fourth grade, she was just Jessica. Well, “Jessica C.,” since there was also “Jessica M.,” and “Jessica R.,” and then one girl who just got to be Jessica, like she’d claimed the name first, and everyone else just had to fucking deal with it. So I guess it wasn’t a surprise that by the time we were sophomores, Jessica C. had turned herself into “JC,” which eventually morphed into “Jaycee.”
That lasted until halfway through college. Sometime between her third and fourth change of major, she became simply, “Jay,” holding on to that moniker until ten years ago, right after we both turned twenty-five and she’d finally broken up with that asshole, Lyle. That’s when Chess was born.
Chess Chandler.
I can’t deny that it sounds good, and it definitely looks good printed in giant font on the book I’m currently holding in my lap as I wait for Chess to meet me for lunch.
She’s late, because she’s always late, even though I’d purposely shown up fifteen minutes after I’d told her to meet me, hoping to avoid this very situation. But of course, just as I sat down, I’d gotten a text from her. Leaving now!
So I was on my second iced tea, and my third piece of bread at this little café in Asheville, the kind of place I’d thought Jessica—Chess—would like, waiting for the real Chess while the picture of her splashed across her book cover beamed back at me.
She’s sitting on the floor in the photo, wearing a white shirt and jeans, her feet bare, her toenails painted a bright melon, pose casual and smile bright under the title You Got This!
That’s her thing: the self-help beat. She sort of fell into it when a friend of ours from college, Stefanie, started a website, some kind of women and wellness thing that I can’t even remember the name of. Chess started out doing a little advice feature for the site, and one of her answers, encouraging a woman to break up with her shitty boyfriend and leave her shitty job, went viral.
I understood why. The response was classic Chess: breezy and funny, but also getting to the heart of the matter in a way that was blunt without being cruel. You know what you have to do here — I mean, you wrote to me, you’re obviously smart (except where it comes to guys. And jobs. But we can fix that).
I’d been getting pep talks like this from her for years, after all. Still, I thought the biggest it would get was a BuzzFeed article called “Twenty-seven Reasons We Want to Make This Advice Columnist Our Bestie!!”
But somehow, it just kept growing. Suddenly, her Insta- gram had thousands, then hundreds of thousands of followers. She stopped writing for Stefanie’s site and took a job at Salon, then the Cut, and then there was a book deal. Things My Mama Never Taught Me hit every bestseller list there is, and before I knew it, Chess was famous.
And honestly, she deserved to be. She was good at this stuff. I’ve read all her books and watched all her videos, including her big TED Talk that has something like twenty million views on YouTube. I’ve also spent a lot of time wondering how someone you once played Barbies with can now be talking to Oprah — at Oprah’s damn house, no less — telling women how to get their lives on the “Powered Path.”
I tear off another hunk of bread.
My life is most definitely not on the Powered Path these days, and if I’m honest, that might be part of the reason I don’t like Chess that much anymore.
Well, that and the fact that she’s now—I check my phone — thirty minutes late.
Just when I’m starting to think I should go ahead and order, the door of the café opens, and she breezes in, tall and very blond, a whirlwind in shades of white, one hand already lifted in greeting as she shoves her giant sunglasses on top of her head, a pearl-gray leather bag slung over one shoulder. She’s always like this, perpetually in motion, her body seeming to move in ten directions at once, but every gesture somehow graceful, fluid.
Heads turn when she enters, but I can’t tell if that’s because people recognize her or if it’s just her — that energy, that glow.
I stand up too fast to hug her, my thighs hitting the edge of the table, ice rattling in the water glasses, and then I’m enveloped in a cloud of Jo Malone perfume.
“Emmmm,” Chess says, hugging me tight.
And even though I was thoroughly irritated with her just a few seconds ago, I instantly feel that familiar warmth in my chest. She’s the only person who ever calls me “Em.” I’ve been Emily to everyone my entire life except her, and hearing it drawled in that low-country accent she’s never lost brings back all the good memories — the years of slumber parties, driving in her car with the windows down, scream-singing with the radio, sitting on her couch at her beach house on Kiawah Island, giggling over glasses of white wine. A million things that immediately outweigh her perpetual lateness and make me feel guilty for ever thinking anything bad about her.
As she pulls back, Chess studies me, putting one cool palm against my cheek. “You look better,” she says, and I manage a smile, patting her hand before returning to my seat.
“I feel better,” I tell her as I sit down. “Mostly.”
I brace myself for more questions, and given how sick I’ve gotten of talking about my health over the past year, I’m already formulating a way to brush her off, but then Chess spots her book on the table, and gives a pealing laugh.
“Oh my god, did you bring that for me to sign?”
Her green eyes are bright as she sinks into her chair, slinging her bag over the back. “I would’ve sent you one, you know.”
It’s stupid to feel embarrassed around someone who has held your hair back while you puke, on multiple occasions, but my face goes a little hot as I wave at the book.
“It’s my mom’s,” I tell her. “I made the mistake of telling her I was seeing you today, and the next thing I know, this is in my mailbox with a Post-it.”
Get Jessica to sign this, please! She can make it out to me. (Deborah.)
Chess snorts now as she picks up the book. “Classic Deb,” she says, and then once again, she performs one of those magic acts of hers—pulling a pen out of that enormous bag, signing the book, signaling to the waiter, ordering a glass of wine, all as she scrawls her signature across the title page.
Sometimes I feel tired just watching her.
Handing the book to me, Chess leans back in her chair and pushes her hair away from her face.
She looks different these days, thinner and blonder, but I can still see the girl I met the first day of fourth grade at Johnson Elementary, just outside of Asheville. The girl with a splash of freckles across her nose, big eyes and wide cheekbones, who’d leaned forward and conspiratorially whispered, “I’m glad I’m sitting next to you.”
It’s funny how such a little thing can form a lifelong bond.
“So, how’s your writing going?” she asks as the waiter brings her wine. I’m sticking with iced tea, still on a handful of medications that I don’t want to mix with alcohol, and take a sip before answering her.
“It’s okay,” I finally say. “Been a little slow getting back into it after … everything.”
Everything.
It’s the only word that can sum up what a complete and utter shit show this past year has been for me, but it still comes nowhere close to touching it.
Career stalling out? Check.
Health suddenly terrible for no reason that any doctor can figure out? Check.
Husband deciding to leave after seven years of seemingly happy marriage?
Fucking check.
It’s been over six months since Matt left, and I keep waiting for all of it to hurt less, for it to be less messy, less . . . I don’t know. Clichéd. Humiliating. My mom actually asked me the other day if I was thinking about moving back in with them, and given the state of my finances — between a late book and an increasingly expensive divorce—I’d actually started considering it. Chess watches me now, her brows drawn together, and then she pulls her leg up, her heel on the edge of her chair, her arms wrapped around her knee, a position I’ve literally never seen anyone contort themselves into in a restaurant. I guess once you’ve pulled the same move on Oprah’s couch, you can do what you want.
I wave a hand. “Seriously, it’s fine,” I tell her. “The latest book is, like, epically late, but it’s book ten in the series, and book nine’s sales weren’t exactly setting the publishing world on fire, so I don’t think anyone’s all that concerned.” No one except for me, but that’s a different story.
Chess shrugs, the silver bangles on her wrist rattling. “People have no taste, then. A Deadly Dig was my favorite so far. That bit at the end on the beach where you’re, like, ‘Oh shit, the wife and the best friend did it together!’” She leans forward, beaming as she grabs my hand across the table. “So damn smart!”
Flopping back into her chair, she keeps smiling at me. “You were always so damn smart.”
Feeling almost absurdly pleased, I pick at another piece of bread. “You read A Deadly Dig?”
You write for long enough, you stop expecting anyone in your life to actually keep up with what you’re producing. My mom only got through book five of the Petal Bloom Mysteries, A Murderous Mishap.
Matt, my ex, never read any of them other than the first one. It had really never occurred to me that Chess would even keep track of the titles, much less read them.
But that’s the magic of Chess. Just when you’re kind of over her shit, she does or says something genuinely kind, genuinely lovely, something that makes you feel like the sun is shining right on you.
“Of course, I did,” she says, picking the last piece of bread out of the basket. “You read mine, right?”
I have, more than once, but not for fun or because I genuinely enjoyed them. I think of lying in my bed, exhausted and nauseous, so sick and tired of being sick and tired, reading Your Best Self and then You Got This!, shame pricking hot under my skin because I was looking for shit to dislike, looking for sentences to roll my eyes at. What kind of person hate-reads their best friend’s books?
“Obviously!” I tell her now, a little too bright, but she must not notice because she just smiles at me again.
“Good. I never would’ve written them without you.”
I blink at her. It’s the first time she’s ever said anything like that, and I have no idea what she means. By the time Chess launched herself as this weird combination of Taylor Swift, Glennon Doyle, and a girl boss Jesus, we weren’t talking all that much. I was wrapped up in my own writing, and Matt, while she was taking over the world.
“Oh yeah, I was very vital to your process, hanging out here in North Carolina,” I joke, but she shakes her head.
“No, you were! You were the one who actually got me to commit to writing, you know? You always took it so seriously with your little notebooks, blocking out those . . . what did you call it? You had a little timer for it.”
It’s called the Pomodoro technique, and I actually still use it, even though it’s not exactly doing me much good these days. I wave her off.
“I was just a nerd,” I tell her, and she reaches across the table to swat at my arm.
“That’s my best friend you’re talking about, bitch.”
The rest of the lunch passes by quickly, so much so that I’m actually surprised when the check comes. Chess swipes it up before I even have a chance to pretend I was going to pay, and then we’re outside on the sidewalk, the late May afternoon warm and rainy.
“I’ve missed you, Em,” she tells me, giving me another hug, and I smile against her collarbone, shrugging when I pull back.
“I’m always here,” I tell her. I don’t mean for it to come out quite as sad sack as it does, but it’s the truth. Chess is the one who is always on the go, but I’m still here in Asheville, the same town where I grew up. We only managed this lunch because Chess had a signing at the local bookstore this weekend.
“Well, good,” she tells me now, flashing me a wink. “That way I always know where to find you.”
CHAPTER TWO
I don’t expect to hear from Chess again for a while.
That’s always been her style. Okay, to be fair, it’s always been our style. We were in each other’s pockets every day for such a long time, all the way through our years together at UNC, but after college, that changed. It happens, right? Lives go in different directions, you make new friends, new connections. Chess had moved to Charleston with Stefanie, both of them working at some fancy restaurant while Stefanie worked on getting the website off the ground, and I’d come back to Asheville with a B.A. in English, and not much else. Chess had invited me to move to Charleston with her, had even insisted she could get me a job at the same restaurant, but I missed home, and my parents thought it would be smart for me to save some money by moving back in with them. Dad was still holding on to his dream that I’d go to law school, but I hadn’t been ready to commit to another expensive degree, and had ended up substitute teaching and occasionally answering phones at Dad’s accounting firm.
I’d be lying if I said I hadn’t been a little bit jealous, watching Chess’s life unfold through social media. I mean, sure, she was just waitressing then, but she was living somewhere new, meeting new people, and I felt like maybe I’d somehow fallen back in time, still sleeping in my childhood bedroom under a poster of Justin Timberlake.
It had all worked out for the best, obviously. If Chess hadn’t been living with Stefanie, she wouldn’t have started writing for Stefanie’s site, and if I hadn’t been so depressed staying at home and contemplating law school, I never would’ve randomly picked up a cozy mystery I saw at the library, drawn in by its colorful cover and silly title, wouldn’t have read dozens more just like it and then, finally, started writing my own. Petal Bloom owes her whole existence—and I owe my whole career—to the fact that my life had diverged from Chess’s.
Even if we are ships in the night most of the time, she is still my oldest and best friend. Which these days means we text when we can, call hardly ever, and see each other once a year if we’re lucky.
So, I’m surprised when I get a notification from her the day after our lunch.
I have a crazy thought.
With Chess, that can mean pretty much anything. She might be thinking of marrying a stranger or it could just mean she’s thinking about reintroducing carbs to her diet. Hard to say.
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