Synopsis:
Simon Dobias and Vicky Lanier couldn’t seem more normal. They’re a wealthy Chicago couple. He is a respected associate law professor contemplating submitting his application to be a full professor. She is an advocate for victims of domestic violence. Theirs is a stable, if passionless marriage.
But one thing is for sure. Nothing is what it seems. They are anything but normal. And one of them may be a killer.
When the body of a beautiful socialite is found hanging in her mansion in a nearby suburb, Simon and Vicky’s secrets begin to unravel. A secret, whirlwind affair; a twenty-million-dollar trust fund about to become accessible to the beneficiary; a decades-long grudge; and an obsession with revenge are just a few of the lies that make up a complex web of deceit . . . that could have devastating consequences.
Both Vicky and Simon are liars.
But just who exactly is conning who?
Review:
David Ellis gradated from Northwestern Law School and began his legal career in private practice in Chicago in 1993. Serving as the House Prosecutor, he successfully presented the case to impeach Rod Blagojevich, former Governor of Illinois, before the Illinois Senate. In 2014, he was elected and sworn in as the youngest-serving Justice of the Illinois Appellate Court for the First District. He won the Edgar Allan Poe Award for Best First Novel for Line of Vision and has now penned ten legal and crime fiction volumes, in addition to co-authoring eight books with James Patterson. Ellis resides outside Chicago with his wife and three children.
Ellis says that after writing legal thrillers, he yearned to get back to crafting a psychological thriller — a book that would be “just fun.” He wrote Look Closer during the pandemic at the urging of his wife, who encouraged him to write what he wanted to write and says he has “never had more fun writing a book.” His goal was to include plenty of twists and turns that would keep his readers guessing. And he did exactly that.
Given the number of shocking plot developments and jaw-dropping revelations Ellis incorporated into Look Closer, readers might be surprised to learn that he did not have the full story figured out before he sat down to write the book. As author Lisa Scottoline puts it, he “took his hand off the steering wheel” and found himself being surprised as he drafted the novel. For that reason, he relates that he finds himself constantly changing what he has already written as the process proceeds. He gets up at 3:30 a.m. and writes until about 7:00 a.m. when it’s time to wake the couple’s three children. Despite the early hour, he insists he looks forward to getting out of bed each morning to “go play.” When he heads to work as a Justice of the Appellate Court, he transitions from drafting fiction to reviewing briefs submitted by party representatives and composing judicial decisions. He says that writing fiction has given him more confidence as a legal writer, and he strives to craft judicial opinions in plain, understandable language, sans legalese.
Ellis says that Simon and Vicky are two of his favorite characters he has ever created. They are sure to be two of readers’ all-time favorites, as well.
The book opens on May 13 and an article written by Simon, an associate law professor, has just been quoted in an opinion issued by the U.S. Supreme Court. That is a very big deal indeed, and his friend and fellow professor, Anshu, is attempting to convince him to “dress for success” to enhance his chances of becoming a full professor. Moments later, he is summoned to the dean’s office and informed that it would be best if he waits until next year to apply. As he leaves campus, Simon drags his key along the side of the dean’s silver Mercedes coupe, leaving “a hideous scrape across the driver’s-side panel.” As he continues walking, he sees Lauren, a woman from his past. He follows her, at a distance, into a condo building and learns that she is married to a wealthy older businessman. With that information, he is able to locate Lauren’s Facebook profile and glean more insight into her life. Suddenly, “it’s all coming back, washing over me again,” Simon explains in the first-person narrative through which Ellis tells Simon’s story. “I should forget I saw you. I’ve put you behind me.” But, of course, Simon is not capable of doing that. Simon purchases a journal with a green cover to match his green burner phone in which he writes to Lauren, documenting their first meeting after nineteen years and the details of the affair they launch into. Simon never got over what happened with Lauren so many years ago. Although he loves Vicky and acknowledges that he is a better man with her, theirs is a marriage without the passionate feelings he has for Lauren. Also, Simon longs to have children but Vicky flatly refuses. Soon, Simon is planning to leave Vicky in order to be with Lauren, who is already in the midst of divorce proceedings. In the meantime, with her husband out of town, Simon and Lauren enjoy trysts at her condo and text each other only at agreed-upon times. He uses his green burner phone and she uses the pink one he bought for her.
Simon inherited twenty-one million dollars from his father, who was also an attorney. But the money is held in a trust under the terms of which Simon cannot access the funds for any purpose that would benefit Vicky in any way for a period of ten years following the first day of their marriage. They will celebrate their tenth wedding anniversary on November 3, and on that date the restriction will be lifted only if Simon and Vicky have remained married and neither of them has ever petitioned to dissolve the marriage. So Simon cannot begin divorce proceedings until that date. And on that date, the funds become joint property. Simon is adamant that he and Vicky still care deeply for each other and he wants to share his inheritance with Vicky, although Lauren urges him to take steps to ensure that Simon collects the entire fortune.
The best lies are the ones closest to the truth.
Vicky keeps a cop-turned-private-investigator on retainer to ensure that it remains safe to continuing using the identity she assumed when she left home in 2003. The real Vicky Lanier was a seventeen-year-old high school student who went missing from Fairmont, West Virginia, and was never found. She was never fingerprinted or arrested, and never filed a tax return, enrolled in school, opened a bank account or obtained a credit card, received a 1099 or W-2, or established a social media account. Vicky looks enough like the missing girl to be convincing so long as no one checks her fingerprints, which are on file and would reveal her true identity. Vicky, who works as an advocate for victims of domestic violence, met Simon six weeks after her sister’s suicide. Simon was facilitating a support group she attended. She was sad and angry, and Simon admits he was drawn to her because he was able to help her. Now, in her first-person account, Vicky describes her meeting with Christian Newsome, a strikingly fit and handsome investment advisor who only works with clients who have a minimum of ten million dollars to invest. He assures Vicky that once the trust assets become community property, she can spend the money without Simon’s approval or knowledge. Vicky immediately commences an affair with Christian, who is not really a legitimate investment advisor. In fact, Christian is not his real name. He is a con artist looking for his next big score, as revealed in his first-person narrative.
In alternating chapters, Ellis also details the investigative efforts of Sergeant Jane Burke, a dedicated thirty-seven-year-old detective set on finding the person who murdered Lauren on Halloween while wearing a Grim Reaper costume and specific brand of sneakers.
Or perhaps, with the exception of the details surrounding Lauren’s murder and Burke’s search for the killer, none of the above is entirely accurate.
Because in Look Closer, nothing is as it initially appears. All of the narrators are wholly unreliable. Ellis skillfully keeps readers guessing — futilely — as he injects shocking plot developments and unpredictable revelations into his fast-paced, inventive, and superbly clever story. It quickly becomes evident that his characters do not, in all cases, possess accurate information about each other but, rather, are operating on the basis of their own beliefs and assumptions, many of which are erroneous. Even though each of them believes that they are fooling the others. Ellis lets readers in on his characters’ secrets as the story proceeds, allowing them to enjoy seeing what the clueless characters will do next, and inspiring feverish reading to see if the characters get tripped up by their misperceptions.
Remarkably, Ellis manages to make both Simon and Vicky so likable that, even as more details are revealed about their respective pasts, motivations, and goals, it is hard not to cheer them on . . . despite the fact that many of their actions are downright despicable. Credit Ellis’s ability to invoke empathy for two people with troubled backgrounds who have sustained great losses. In Vicky’s case, the tragic loss of her sister continually reverberates in her life and inalterably altered the trajectory of the lives of her two beloved nieces and her sister’s widower. Vicky is committed to preventing what happened to her sister from happening to other women and their families. But does that justify her actions? Simon is a Fourth Amendment scholar who truly loves the law and teaching, in large part because of the example set by his mother, who was a trailblazing, brilliant, and fearless litigator. His family history, however, has made him the subject of suspicion, speculation, and gossip. And informs the angry, resentful, and obsessed man he is today. But, as with Vicky, Ellis challenges readers to ponder whether Simon’s long-simmering desire for retribution is a morally acceptable motive for his behavior. Ellis says he wanted to write about both justice and revenge. “I tried to hit it all,” he recalls. “I couldn’t pick, so I decided to throw both in.” It was a savvy choice.
Eventually, Ellis reveals the surprising ways in which all four characters — Simon, Vicky, Lauren, and Christian — “are tied up with each other” and chronicles Burke’s dogged refusal to conclude her investigation until she uncovers the relevant connections between them. But can she muster enough credible evidence to hold anyone accountable for murder? Ellis credits his partnership with Patterson with teaching him the value of the succinct, crisp writing that propels the story forward at an unrelenting pace. The crackling dialogue is entertaining and revelatory. Ellis deftly uses his characters’ conversations and Simon’s journal to display their core traits, old grudges, and relationships with each other.
The fun Ellis had writing the book is readily apparent on each page . . . and infectious. Look Closer is a smart, thoroughly engaging, and enjoyable thriller about obsession, revenge, greed, and a ruthless quest for justice. It is one of the best psychological thrillers of 2022.
Excerpt from Look Closer
1
Simon
I check my green burner phone for the time. It’s now 8:51 p.m., nine minutes to nine. Nearly two hours since trick-or-treating ended and Grace Village plunged into darkness, the residents of this bedroom community hunkering down for the night.
Police cruisers will be out tonight, but there are none currently on Lathrow Avenue, at least as best I can tell standing in Lauren’s foyer, looking through the peephole of her front door with emotion clouding my eyes. Not tears. I am not crying. I thought it possible that tears would come, even likely, but they have not. Now I’m sure they won’t. Tears are for sadness, regret, remorse.
I am not calm exactly, certainly not what I would describe as normal; far from that. A dull ringing fills my ears and the THUMP-THUMP, THUMP-THUMP of my pulse echoes through me, a bellowing bass drum no symphony orchestra could match. Still, my hand does not shake as I reach for the inside door handle, an ornate gold latch you’d expect to open a vault of princely treasures. But no jewels or riches beyond this door, only danger. I am not supposed to be here, inside Lauren’s house.
I turn one last time and look behind me in the foyer.
Lauren’s body dangles from the second-floor landing, her toes no more than a few feet above the marble foyer floor. She is motionless, coming to rest facing me, her head lolled unnaturally to the right, resting on the knotted rope wrapped around her neck, her head so askew it looks as if it might detach and fall to the marbled floor. She is wearing a skintight cat costume, complete with makeup, painted whiskers, and button nose; even the nails on her fingers and toes are painted black. Halloween Barbie, if there is such a thing, and I’m sure there is. Rising from the noose, the rope strains taut against the ornate wrought iron railing on the second story, overlooking the open foyer. Watching her, no matter how glamorous her looks, how sexy her outfit, conjures the image of a butcher’s freezer, the slabs of beef hanging from large hooks in the ceiling.
Happy Halloween, Lauren.
I take a step forward but my boot crunches on a shard of broken glass from the bowl of Halloween candy shattered in the foyer. Whatever the reason I had for stepping toward her-one last goodbye? Replacing the heel that fell off her left foot?-I think better of it and turn to the door.
I pull down the latch and open the front door, the cool October air rushing into the space inside the hood over my head, which covers my face completely and blocks my peripheral vision. I forgot to check through the peephole again before opening the door. That was sloppy. This is not a night to be sloppy.
I walk through the empty streets of the village in my Grim Reaper costume, plastic shopping bag clutched in my left hand, passing skeletons hanging from trees, tombstones planted in front yards, orange lights illuminating shrubbery, ghosts frowning at me through windows.
My head buried inside this elongated hood, my height at five feet eleven, I could pass as a teenager trick-or-treating late (which wouldn’t fly, given the village’s strict curfew) or an adult leaving some kind of party (for which I can name no host or address). I should walk with a natural stride, like I haven’t a care in the world, an anonymous man covered head to toe in a black robe and hood on the one night of the year that it wouldn’t seem odd. Still, I should have an answer at the ready should a police cruiser stop by.
As a wise woman once told me: The best lies are the ones closest to the truth.
Walking home, I will say if asked. Too much to drink.
That will have to do. The drinking part isn’t true but hard to disprove. The walking home part is close enough. I’m walking in that direction, at least.
So on I walk through the square grid of the small village, reaching the park on the southeast end of town, crossing the diagonal path, passing some homeless people, swing sets, and jungle gyms, a pack of teenagers huddled on the hill with beers they try to conceal. I put one foot in front of the other and try to act normal and think about normal things. It’s been a long time since I’ve thought about normal things.
I haven’t felt normal since May 13.
I play the game of what-if. What if I hadn’t gone to get my haircut on May 13? What if the dean hadn’t called me to his office, delaying me? Ten, fifteen seconds’ difference, and I might never have seen her. I wouldn’t have known she’d come back.
But that doesn’t calm me, so I think about what happens next. My journal. My journal with the green cover, to match my green phone. I got rid of that journal, right? Burned it to a crisp, to a heap of ash in my fireplace. Right? I didn’t just dream that, did I? If the police ever got their hands on that green journal, it would be game, set, match.
That’s not helping stress levels, either, so I try the language games I used as a kid to calm my nerves, to slow me down when I was freaking out, like how the word “fridge” has a “d” but “refrigerator” does not; how “tomb” is pronounced toom and “womb” is pronounced woom, but “bomb” is not pronounced boom; how “rough” and “dough” and “cough” and “through” should rhyme but don’t. I don’t know why oddness and contradiction calm me, but they always have, maybe because of their familiarity, because I see so much of those traits in myself.
Then I stop. My legs suddenly, inexplicably no sturdier than rubber, exhaustion sweeping over me, my pulse ratcheting up again, vibrating in my throat. Only steps away from Harlem Avenue, only moments from crossing the town border, only a matter of feet from leaving Grace Village and crossing into its sister town Grace Park, where I live, a far bigger town.
I manage to duck behind the equipment shed owned by the park district. I plop down on the ground, pull off my hood, remove the head mask I’m wearing, and rest my sweaty head against the brick wall. I fish around in my bag for the knife. It’s a large knife that we used to slice the Thanksgiving turkey when I was a kid. I thought I might need it tonight.
I pull out my green phone and start typing:
I’m sorry, Lauren. I’m sorry for what I did and I’m sorry you didn’t love me. But I’m not sorry for loving you like nobody else could. I’m coming to you now. I hope you’ll accept me and let me love you in a way you wouldn’t in this world.
When I’m done, I put the phone in my lap, next to the knife. I hold out my hand, palm down, and stare at it. It remains utterly still and steady.
I take a breath and nod my head. I can do this. I’m ready.
Before Halloween
May 13
2
Simon
“You know what your problem is?” Anshu says to me, though I didn’t ask him. If we’re going through a list of my problems, we’ll be here all afternoon. “You don’t look the part,” he says, without waiting for a prompt from me.
“I don’t…” I give myself a once-over, my button-down oxford and blue jeans. “What’s wrong with how I look?”
“You dress like one of the students. You’re supposed to be the professor.”
“What do you want, a tweed coat with patches? Should I carry a pipe, too?”
I’m sitting in my office on the third floor of the law school with Professor Anshuman Bindra, who looks the part naturally, with his owlish face and trim beard, hair the consistency of a scrub brush, which manages to not move but look unkempt regardless. Anshu leans back in his chair. “Simon, my friend, you just got quoted in a U.S. Supreme Court opinion. It’s like the Supremes collectively leaned over from Washington to Chicago and whispered to the committee, ‘Make this guy a full professor.’ You should be walking tall today. You should be the new King of the Fourth Amendment. But instead, you show up looking like you’re going to a frat party.”
“It shouldn’t matter how I dress. It’s what I say, what I teach, what I write, that-”
But he’s already making a mouth out of his hand, yada yada yada. “Now Reid, he looks the part. He wears a sport coat and dress pants every day.”
Reid Southern? That guy is to academia what Pauly Shore is to dramatic acting. He has parents with pull, and that’s it.
“He wears a sport coat because his stomach hangs over his belt,” I say. “And he probably can’t fit into jeans.”
Anshu drops his head, pinches the bridge of his nose. “Yeah, and you run marathons, and half your students probably want to bone you, but Reid looks like a law professor. He acts like one. The guy listens to Mozart in his office. You listen to REM and N.W.A. and Panic! at the Disco.”
“Okay, first of all,” I say, leaning forward, “I do not and would not listen to Panic! at the Disco. And now it matters what music I listen to?”
“It’s not one thing. It’s the whole package. The… grungy look, the music, the whole attitude. You don’t think appearances matter? I know they shouldn’t, but you know-”
“No, they do, I know.” But I’m not going to change for them. Why should I? There’s no dress code here. I’m twice the teacher Reid Southern is. His students hate him. I’ve read the reviews. And his scholarship is pedantic at best. He’s writing about a different way to understand mutual consent in contract law. I’m writing about the government violating the constitutional rights of its citizens on a daily basis.
“You’re too self-deprecating, while we’re at it,” says Anshu.
Sure, why not, let’s keep going.
“You’d rather I was pompous and self-congratulatory? Anshu, jeez, you’re undoing everything my mother taught me.”
He flips his hand at me. “What did you just say to Loomis in the hallway? The vice-chair of the damn tenure committee compliments you on your article getting cited by the Supreme Court and what did you say?”
“I don’t know, what did I say?”
“You said, ‘Must have been a slow day at the Court.'”
Oh, yeah, that’s right, I did.
“I mean, how about thank you?” he says. “The highest court in the land just cited one of your articles. Can’t you bask in the glow just a little? But no, you can’t take the compliment. You have to tear yourself down. And Reid doesn’t have a blog,” he adds.
I open my hands. “What’s wrong with my blog?”
“You make jokes,” he says. “You crack wise.”
“And I talk about judicial decisions and whether they’re right or wrong.”
“You wrote a limerick about the chief justice of the United States.”
“Yeah, but it was funny.”
“I know, but you’re so… so casual and irreverent.”
“You mean I’m not stuffy? I don’t use footnotes or Latin words? You know how I feel about footnotes and-”
“Yes, I know how you feel about footnotes.” He reaches out with his hands, as if beseeching me. “But law professors use footnotes! Law professors use Latin!”
I’m not doing it. I’m not changing how I dress and I’m not sucking up to the faculty at poker games and cocktail parties and I’m not using Latin words and I sure as shit am not using footnotes.
Okay, it’s not quite Roosevelt charging up San Juan Hill, but I’m taking a stand.
“Get the spot first,” he says. “Once you’re a tenured full professor, challenge every convention of academia. But this whole laid-back thing…”
I’m not laid-back. I’m anything but laid-back. I’m stubborn. There’s a difference.
“Here’s some Latin for you,” I say. “Ego facturus est via mea.”
Anshu sighs. “Now I suppose you’re going to tell me what that means.”
“It means, I’m going to do it my way.”
“Of course you are.” He flips a hand. “Of course you are.”
“Now if you’ll excuse me, Professor, I need a haircut.”
“That was on my list, too. Your hair’s too long. You look-”
“Like one of the students, I know.”
And then my phone rings.
————————
Not five minutes later, I’m entering the office of one of the associate deans, Martin Comstock, who also happens to be the chair of the tenure committee. Silver-haired and dapper, going all-in on the stereotype with the bright red bow tie.
Actually, he wears bow ties so people will ask him about it, and he can reluctantly reveal that he clerked for U.S. Supreme Court justice John Paul Stevens, who wore bow ties, and then served as an aide to U.S. senator Paul Simon, who also wore them. Oh, this? Well, I suppose it’s kind of an homage, if you must know . . .
Our dean is retiring next year, and everyone says Comstock will take the reins. Not everybody’s happy about that. I might be one of those people. He’s a politician, not an academic. A blue blood, not a scholar. He’s everything I hate about academia.
Other than that, I’m sure he’s a great guy.
“Ah, Simon, good,” he says, when I knock on his opened door.
“Hi, Dean.” He likes being called by his title. He pretends he doesn’t, but he does.
He manages a quick, disapproving appraisal of my outfit. For the record, my button-down shirt is tucked in, and my jeans are clean and not torn. I look just fine.
“Thanks for stopping by,” he says. “I’ll get to the point.”
His office, all leather and walnut, is a monument to his greatness, with all his diplomas and awards, photographs with presidents and high-court judges. He sits in a high-back leather chair behind a magnificent desk.
“Simon, you applied for full professor,” he says, his hands forming a temple in his lap.
“I did, yes.”
“Yes, good stuff, good for you,” he says. “You’ve done fine work, I’ll say it to anyone.”
It’s time for the but . . .
“Now I don’t want you to take this the wrong way, Simon.”
In the history of mankind, nobody has followed I don’t want you to take this the wrong way with something that could be taken any other way.
“I wonder,” he begins. “Well, here. You may be aware that Reid Southern has applied for the position as well.”
I sure am! I’m also aware that his daddy has given over $5 million to the school over the last decade, which just happened to coincide with when his son started working here.
“Yeah,” I say.
“And Reid, I’m sure you’re aware, has been here a year longer than you.”
“I’m aware of that. And I’m aware that you’re only granting one position.”
“Just so, just so,” he says, so eager and condescending that it feels like he might toss a dog treat into my mouth. “And, well, this is delicate, but you can probably imagine that Reid has a fair level of support. You know how these things go—it’s his turn.”
Plenty of associate professors have been denied a full professorship. We don’t tell people it’s their turn. Not unless their father is a walking ATM.
“I would just hate . . .” His fingers work the air, like he’s trying to capture just the way to put it, like he doesn’t have this speech prepared. “I think it might be preferable for you if you waited until the next opening. Then you’d be applying without the mark of having applied once and been denied.”
“You think I’ll be denied.” I don’t say it as a question. But it is a question, I think. There are some old-school, clubby types who probably don’t take to me, but there are plenty of good, non-political people here, like Anshu, who think that quality teaching and standout scholarship are what matters, not how you dress or who you know.
“Well, obviously, it’s nothing that committal, but as I say, Reid does enjoy substantial support. Not that anyone remotely questions your scholarship, Simon. You’ve done fine work.”
Right, you’ll say it to anyone.
“You’ve given me a lot to think about, Dean,” I say.
I leave the office, so he can pick up the phone and call Reid’s dad and tell him that he had the talk with me, and things are going swimmingly.
Now I’m late for the haircut. I usually walk, as it’s only a few blocks away. Instead I head out the Superior Street side and into the outdoor faculty parking lot. I usually get here earlier than others and park in one of the front rows.
I find the silver Mercedes coupe and pull out my key. After a glance around, I run the key along the side of the car, a hideous scrape across the driver’s side panel.
Sorry about that, Dean.
Now for that haircut.
————————
And thus I go, a dressed-down associate professor off to have the old Russian guy named Ygor (seriously) cut my hair, lest the faculty at my law school think I’m less than tenure quality because my hair is too long. Not that it matters — apparently, I’m withdrawing my application.
The afternoon is steamy hot as I work through the crowd on Michigan Avenue, tourists and rich people and street performers and the homeless, the Magnificent Mile. Though they should really rethink that name these days. But I have more important issues on my mind.
Why do privileged old white men in black robes get to decide what it’s like to be an African American kid stopped on the street by a cop? Why can’t our state supreme court admit that they have the “innocent construction” rule in defamation cases backward? Why does the word “queue” have not only four consecutive silent letters, which is bad enough, but also the same ones repeated? What, they weren’t silent enough the first time through?
Deep thoughts, all of them, as I get within a block of the barbershop at 900 North.
And then I stop moving, my feet planting in the crosswalk, someone bumping into me from behind and forcing me to stumble forward a step.
Because I feel it. I feel you, I swear I do, before I actually see you, walking out of the Bloomingdale’s building. The shape of your head, maybe. The curve of your chin. The way you purse your lips in concentration. Something that defines you as you, even nineteen years later. Something that screams Lauren —
Lauren.
Lauren.
Hey, Simon, how are you?
Great, Lauren. How are you?
— before you fully turn in my direction, wearing those oversize sunglasses like Audrey Hepburn.
————————
It’s you. Your hair is longer and a shade blonder, but it’s you.
You step into the crosswalk, a bounce in your stride, confident like someone accustomed to moving through a crowd without making eye contact with the numerous pairs of eyes on her. Your lips are moving. I don’t see a phone, but when the wind carries your hair, I see an AirPod tucked in your ear.
My usual move when I want to avoid someone — the phone. Plant it against your ear, duck your head like reception is bad and you’re trying to hear. I’ve avoided hundreds of conversations that way in the hallways of my law school.
But I don’t reach for my phone.
I should move, not just stand there in the middle of the crosswalk like a small inlet amid a sea of pedestrians passing me on both sides. I should walk toward you as confidently as you walk toward me, but I can’t. I’m on system shutdown. My feet not moving. My pulse pounding between my ears. My insides stripped raw.
I think I catch a whiff of your perfume as you pass me. You changed it.
You don’t notice me. Probably the swarm of people conceals me, or you’re concentrating on your phone conversation. Or maybe you wouldn’t have noticed me even if you saw me. I’m a distant memory to you. Am I?
I turn and follow you.
“Um, no thanks. It’s called having some dignity?” you say as a question that isn’t really a question. Then you laugh.
The laugh hasn’t changed. It’s you.
You’re wearing a pink dress that compliments your figure. You’re carrying two shopping bags. You have money. That’s no surprise. You have a big rock on your finger. That’s no surprise, either. You never had trouble drawing the attention of wealthy men.
Tap you on the shoulder, Hey, stranger, remember me?
Grab you by the arm, HEY, LAUREN, REMEMBER ME?
I’m too close, so I drop back.
People look at you. Of course, they do. Men and women. You’re a work of art. You must know that. You don’t break stride.
My legs like foam. Bile in the back of my mouth.
You cross Chicago Avenue and turn into a building.
If I walk into that building, into what I assume is the lobby of a condo building, I can’t be anonymous. People don’t casually walk into lobbies of private residential buildings.
But I don’t care. I push through the revolving door about five seconds after you do, just enough time so you won’t see me. I walk into comforting air-conditioning, a sleek, polished, ornate lobby of a fancy downtown condo building.
“Mrs. Betancourt!” says the man standing behind the desk. “Are you here for the weekend?”
“Just dropping some things off, Charlie,” you say. “How are the kids?”
Betancourt. Betancourt.
You got married, Lauren.
I head back outside into the searing heat, people crossing my path from both sides, jostling me, my foot dropping down off the sidewalk into the street, a car horn blaring at me—
I step back, narrowly missing the taxi heading southbound on Michigan Avenue.
I put my hand on a parked car for balance, the engine hot.
“Dude, what the fuck?” Another cabbie, idling at the curb, sticks his head out the window.
I raise my hand in apology, stumble back to the sidewalk, not sure which way to turn.
I shake my head and whisper, “Betancourt. Betancourt.”
Betancourt Betancourt Betancourt Betancourt.
————————
Dozens of people with that last name in the greater Chicago area. But only one named Lauren. And it’s you. Your Facebook profile, in a tight white dress with an oversize fancy hat, like from the Kentucky Derby, raising a glass of sparkly and pursing your lips. Were you really that happy when you took that picture, Lauren? Or were you thinking all along, this would be an awesome profile pic for Facebook? Was it fake like it’s fake when people tell stories about something they did and make it sound a lot more fun than it really was? Do you worry more about how others see you than how you see yourself?
Thousands of friends, thousands of “likes” on your hundreds of photos, those tiny windows into your life over the last decade. The top of the Eiffel Tower, a safari in South Africa, drinks in Times Square, the polar ice plunge in Lake Michigan, a triathlon, some race that you did in mud, always surrounded by friends and handsome men, sun-drenched and happy, glamorous and sexy, fun and energetic and free-spirited.
You’re married to someone named Conrad Betancourt. But no kids.
And you don’t live in Chicago per se. You live in Grace Village, just west of the city. In the next town over from where I live, Grace Park.
You’ve come home, Lauren.
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Deep breath. Calm, Simon. Use language games. Something. Deep breath.
Why don’t “monkey” and “donkey” rhyme?
Deep breath.
Why is it an unwritten but ironclad rule that we put opinion adjectives before size adjectives? Why must it always be “dirty little secret” and never “little dirty secret?”
And why size adjectives always before age? Why not “old little lady?”
Why can’t I say “an old little lovely lady?”
Deep breath.
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It’s all coming back, washing over me again. It’s growing like a tumor inside me, poison flowing through my veins. I should stop right now. I should forget I saw you. I’ve put you behind me. You need to stay right where you’ve been, in my rearview mirror. I’m better now. I know I’m better. Vicky says I’m better. I can’t go back there. Everything’s fine.
Yes, that’s what I’ll do. I’ll put you behind me. I’ve put you behind me, Lauren. You are officially yesterday’s news, or nineteen years ago’s news.
Okay, that’s that. I’m going to forget I ever saw you today.
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