Synopsis:
Boston, 1662. Mary Deerfield is a twenty-four-year-old Puritan woman. Her skin is porcelain, her eyes delft blue. She is faithful and resourceful, but afraid of the demons that dog her soul.
In England she might have had many suitors. But here in the New World, amid a community of saints, Mary is the second wife of Thomas Deerfield, a man nearly twice her age and as cruel as he is powerful.
When Thomas, prone to drunken rages, drives a three-tined fork into the back of Mary’s hand, she resolves that she must divorce him in order to save her life.
But in a world where every neighbor is watching for signs of the devil, a woman like Mary — who harbors secret desires and finds it difficult to tolerate the brazen hypocrisy of so many men in the colony, especially the leaders — soon becomes the object of suspicion and rumor. Tainted objects are discovered buried in Mary’s garden. She treated the brother of their indentured servant, Catherine, with herbs and simples, but he died. Catherine runs screaming in fright from the Deerfield home.
As Mary plots to be granted a divorce, she soon finds that she is fighting to not only escape her abusive marriage . . . but also the gallows.
Review:
Chris Bohjalian is the #1 New York Times bestselling author of more than twenty books that have been translated into thirty-five languages. Three of his books have been adapted for film and The Flight Attendant is a hit, multi-nominated television series. He is also a playwright, and has written for a wide variety of magazines and newspapers, including The Burlington Free Press where he served as a weekly columnist from 1992 through 2015. A graduate of Amherst College, Bohjalian also holds several Honorary Degrees. He resides in Vermont with his wife, Victoria Blewer, a photographer. Hour of the Witch is among the audio books their daughter, Grace Experience, has narrated.
Hour of the Witch is a tour de force work of historical fiction — an engrossing study of domestic abuse, divorce, societal pressures, and witchcraft, as well as a captivating legal thriller. Bohjalian says the book’s genesis was a “vague premise: Puritan woman is fed up and sues her husband for a divorce. And it devolves quickly into a witch trial.” He derived inspiration from both the first divorce in North America on the grounds of domestic violence and America’s original witch hunt, but set the story not in Salem but, rather, Boston in 1622 — thirty years before the Salem witch trials. But alleged witches were indeed being executed in nearby Hartford. The Governor of Massachusetts had his sister-in-law executed in 1656. Bohjalian studied Puritan theology in college and has long been fascinated by the subject. To ensure historical accuracy, he performed extensive research. Fortunately, a wealth of information is available because the Puritans were avid diary and ledger keepers. The Devil in the Shape of a Woman: Witchcraft in Colonial New England by Carol F. Karlsen, on of his college textbooks, also provided context and detail. Although many authors religiously outline their novels, Bohjalian says he waits for his characters to “take [him] by the hand” and then sees where the story goes. He confesses that he had no idea about the ending of the story when he began writing it. Nonetheless, final twist to his story is inventive, surprising, and extremely satisfying.
Dost dream of things beyond the moon,And dost thou hope to dwell there soon?
~~ Anne Bradstreet
Bohjalian masterfully sets the scene, convincingly recreating and transporting readers to 1662 Boston. The city’s population is exploding as ships arrive from all over the world bringing goods. The Puritans drink beer, eat from trenchers, and do not use folks because they resemble pitchforks: “the devil’s tines.” Bohjalian found the fact that Puritans could be so afraid of forks one of the most fascinating aspects of their thought processes. So in Hour of the Witch, Mary’s father is a businessman importing forks from Europe where they are just gaining favor, primarily among the nobility.
A fork is the weapon Thomas Deerfield uses to attack his young wife, Mary. Thomas is boorish, controlling, and cruel. Mary has thus far failed to conceive a child, a fact that leads to gossip and speculation among the townspeople, and fuels Thomas’s verbal abuse. Puritan society is a patriarchy founded on religious beliefs, and Thomas is the worst example of the misogynistic world in which Mary exists. Women are to stay in their place, and those who don’t suffer severe consequences. Thomas rails at her, “Thought? That is thy problem. Thou art always thinking. Never doing. Thy mind is like . . . what? It’s like . . . cheese. It’s softer even than most women’s. . . .Maybe that’s why thou art incapable of taking seed. The Lord knows it’s best not to strain a woman that has the mind of cheese. White meat.” Thomas is also physically abusive, and his violent attacks upon Mary have escalated over time, growing increasingly savage.
Mary’s mother gifts them eight silver forks, “each the size and rough shape of a spoon, . . . but Mary couldn’t imagine what she was supposed to do with the forks. . . . She’d heard of these utensils with three tines and she knew they were tools of the Devil.” Her mother insists that even people in Boston will use them because they “are not inducements from Satan; they are but gifts from thy parents.”
But a fork does become the tool of a devil . . . named Thomas Deerfield. Mary accurately predicts that he will not tolerate having forks in his house. One morning Mary finds a pestle and two forks buried in the yard. Catherine, the Deerfields’ servant, insists that Mary must have placed them there, and killed her brother, even though Mary tried to save him by providing “simples” (natural remedies such as herbs). She accuses Mary of being a witch. The commotion rouses Thomas who, at first, insists that Mary is “too simple to be a witch.” But he decides to test Catherine’s theory and in a harrowing fit of anger, picks up a fork and slams it, “tines down, into the bones in the back of her hand.” At that point, Mary fully realizes that she is in grave danger and if she stays in the marriage Thomas will eventually kill her.
Bohjalian says he strove to ensure that Thomas would be more than a stereotypical bully. “He believes in his heart that he’s looking out for his wife. He does it in ways that are obscene, cruel beyond belief,” but in line with Puritan notions. He justifies his abuse, claiming that he inflicts it because he fears for Mary’s immortal soul and, as her husband, has a responsibility to discipline her in order to save her from eternal damnation. He fears for his own social standing and reputation, as well. His behavior is sanctioned by a society that permits men to discipline their wives. Sadly, as Bohjalian observes, “In 2021, the world is still filled with abusive men.”
Mary determines “to do something incredibly rare.” She resolves to divorce Thomas, “even if it subjects her to allegations of witchcraft.”
To put Mary’s brave decision in context, Bohjalian asks readers to “imagine a world where Satan is as real as your neighbor. Every moment you are wondering, ‘Am I saved or am I damned?'” Puritans were terrified of Satan, in part because “they had no explanations for certain life events and natural disasters.” Mary is, according the author, “constrained by her community and circumstances.” She is a beautiful, intelligent young woman, but she is modest. She accepts the societal constraints within which she must live — men have dominion over women and she would be content within that familial structure. But that dominion cannot extend to being beaten by her husband. For a long time, she has been hiding the bruises and making up stories about how she has injured herself when it was impossible to conceal the effects of Thomas’s fists striking her. Still, summoning strength and a sense of self-worth that she never knew she possessed, she finally stands up for herself. She reaches her limit and uses her voice to say “Enough!” She insists that she deserves to be released from a toxic relationship with a monster. Part of her motivation is the fact that she dreams of a life without Thomas in which she is loved and cherished by another man to whom she feels an increasingly irresistible attraction. She goes out of her way to encounter him, daring to spend time talking with a man who values her intellect. On top of that, Mary dares to maintain a friendship with Constance Winston, an older single woman who lives alone on the wrong side of town, and serves as a role model, mentor, confidante, and co-conspirator. She is an expert on simples and tried to help Mary become pregnant when, after three years of marriage, she still had not conceived a child. And Mary turns to her again when she is utterly desperate to escape her circumstances, a choice that could prove disastrous. That Mary will be labeled a witch becomes inevitable, in part due to her own actions.
But Bohjalian didn’t want to write yet another book about the Salem witch trials. Luckily, while researching his topic, he happened upon a three-line reference to the first divorce in America on the ground of cruelty, and was shocked to find that divorce existed. That led him down the first, and most interesting to Bohjalian, of two rabbit holes. There were five legal bases for divorce — polygamy, desertion, adultery, impotence, and cruelty — and thirty-one cases on record. One was on the ground of impotence, and only one was based on cruelty, filed by Katherine Nanny Naylor. Bohjalian pondered, “How much courage must it have taken in Puritan Boston for a woman to stand up against the stern men who formed the Court of Assistants and petition for divorce?” He imbued Mary, his protagonist, with that courage and unbreakable spirit.
The predictable second rabbit hole was witchcraft, a capital crime. The mere utterance of the word “witch” struck terror in Puritans because “it meant only one thing: Satan was present. Satan was among us.”
Historically, strong women and smart women and creative women have been a threat to men. And New England women accused of being witches frequently were — at the very least — opinionated. ~~ Author Chris Bohjalian
The first part of the book is called “The Book of the Wife,” with the second titled “The Book of the Witch.” Although religion permeated every aspect of their daily lives, Puritan marriages were, surprisingly, deemed a civil, not sacred, covenant. For that reason, divorce was permitted and the wife was entitled to one-third of the marital estate. When Mary tells her parents that Thomas has abused her, they vow to protect her. Her father declares, “This won’t stand. I’m appalled. Let us go see both a friend and a magistrate. . . . Mary and Thomas were married by a magistrate, and I will see to it that they are divorced by a magistrate.” Mary’s parents are “people of their era” who love their daughter, but, being good Puritans, they are responsible for having married her off to Thomas. They take her back into their home when she leaves Thomas and the divorce trial proceeds. But they fear for her safety because, as Bohjalian explains, “they appreciate what it means to be a divorced woman” in Puritan society. Obtaining a divorce proves to be anything but simple or uncomplicated. Mary soon becomes the target of a full-fledged witch hunt with her very life at stake.
Each chapter in the book is preceded by an excerpt of the testimony elicited during Mary’s trial, a technique that heightens reader curiosity and ratchets up the tension. And the courtroom scenes are riveting and believable. Mary must convince a fourteen-member all-male panel of jurists that her account of marriage to Thomas is true and meets the legal standard of cruelty. Soon, Mary is embroiled in a second trial with few options left to her. At one point, a magistrate refers to her as “a nasty and sharp-tongued woman,” a reference Bohjalian is certain will not be lost on his readers. He wanted the story to be contemporary and happened to be writing it during the Supreme Court confirmation hearing for Brett Kavanaugh.
Bohjolian effectively tells the story utilizing the language of the time period from Mary’s vantage point. He compassionately reveals her thought processes, desires, and fears in the hope that his readers will take Mary into their hearts. It is impossible not to, because she is a sympathetic character with whom female readers, in particular those who have experienced differential treatment because of their gender, will readily empathize. Bohjalian unabashedly declares, “I love her. She risks everything to escape a marriage from a beast far more present than the devil, even if that means facing charges of witchcraft.” Her parents are equally endearing, and their struggle to balance their realistic assessment of Mary’s predicament against their desire to see their beloved child healthy and happy is both engrossing and heartrending. Every supporting character, including Thomas’s daughter Peregrine and Constance, the woman who dares defy societal conventions, is fully imagined and intriguing.
Hour of the Witch is an absorbing and entertaining fictional tale. But it is also much more. One early reader pronounced it “The Crucible meets The Handmaid’s Tale.” The description is apt. It is the contemporary tale Bohjalian sought to create and “among the timeliest” — and most timeless — he has ever penned. The parallels between 1662 Boston and America in the #MeToo era are inescapable and thought-provoking. Bohjalian hopes readers will ask themselves, “Oh, my god, how have we not come further in the last three hundred and fifty years?” Indeed.
Hour of the Witch is one of the best books of 2021, and destined to be deemed a classic.
Excerpt from Hour of the Witch
Prologue
It was always possible that the Devil was present.
Certainly, God was watching. And their Savior.
And so they were never completely alone. Not even when they might wander out toward the mudflats or the salt marshes which, because they all but disappeared at high tide, they called the Back Bay, or they happened to scale the Trimountain—three separate hills, really, Cotton and Sentry and Beacon—they had virtually flattened as they moved the earth to create the jetties and wharves and foundations for the warehouses. Not even along the narrow neck that led to the mainland, or when they were in the woods (most definitely not when they were in the woods) on the far side of the slender spit.
They knew there was something with them when they were otherwise alone in their small, dark houses—the windows some-times mere slits and often shuttered against the wind and the cold— and a man could write in his diary (his ledger, in essence, in which he would catalog the day’s events and his state of mind in an effort to gauge whether he was among the elect), or a woman could scribble a few lines of poetry about the trees or the rivers or those astonishing sand dunes that rolled in the night like sea waves.
Sometimes the presence was frightening, especially if there were other indications that the Devil was at hand. But then there were those moments when it was comforting, and they, mere sheep to their divinity, felt the company of their shepherd. It was soothing, reassuring, breathtakingly beautiful.
Either way, more times than not, the women and men took consolation in the notion that there were explanations for a world that was so clearly inexplicable—and, usually, inexplicable in ways that were horrifying: a shallop with a dozen oarsmen disappearing beneath the water somewhere between the piers and the massive, anchored ship with its barrels of seasonings, its containers of gun-powder, its crates of pewter and porcelain and pillowbeers. That shallop vanished completely. One moment, sailors on the docks in the harbor could see it plainly. But then the clouds rolled in and the rains began, and the boat never emerged from the froth and the foam, and the bodies never were found.
Never.
Or that farmer who was gored through the stomach by a bull and took three days, every moment of which he was in agony, to die in his bedstead. How do you explain that? By the end of the ordeal, the feathers and cornhusks in the great bag beneath him were as red as the linen in which they were wrapped. Never had it taken a man so long to bleed out.
Three days. A number of biblical import.
But, still. Still.
How do you explain a husband who will break his wife’s leg with a fireplace poker, and then chain her around the waist to the plow so she can’t leave his property? And who then goes away? The woman waited a full day before she began to cry out.
How do you explain hurricanes that suck whole wharves into the sea, fires that spread from the hearth to the house and leave behind nothing but two blackened chimneys, how do you explain droughts and famines and floods? How do you explain babies who die and children who die and, yes, even old people who die?
Never did they ask the question Why me? In truth, they never even asked the more reasonable question Why anyone? Because they knew. They knew what was out there in the wilds, and what was inside them that was, arguably, wilder still. Though good works could not in themselves change a thing—original sin was no fiction, predestination no fable—they might be a sign. A good sign. Sanctification followed justification.
And as for divorce . . . it happened. Rarely. But it did. It was possible. At least it was supposed to be. Mediation was always better than litigation, because this was, after all, a community of saints. At least that was the plan. There were the tangible grounds: Desertion. Destitution. Bigamy. Adultery (which was indeed a capital crime because of the Lord God’s edicts in Leviticus and Deuteronomy, though no adulterer ever was actually hanged). Impotence. Cruelty.
It was a violent world, but still you weren’t supposed to strike your spouse. At least not without provocation. Mary Deerfield knew all this, she knew it because God had given her an excellent mind— despite what her husband, Thomas, would tell her. And though brains hadn’t helped Anne Hutchinson (Winthrop himself opined that her problem was that she meddled too much by trying to think like a man), and in later years brains most definitely would not help the score of women who would be hanged as witches in Salem, she knew intellectually she had done nothing wrong and didn’t deserve to be hit like a brute animal. She wouldn’t stand for it. It seemed that her mother and father, bless them, wouldn’t demand that she stand for it, either.
The issue, of course, would not merely be his violence, nor would it boil down to a debate over what she said versus what he said. The wrack of their marriage was not solely his cruelty, and the divorce petition would be grounded by snares beyond her ken. Here, she realized, there were times when she would have been better off if she could have been alone but for the angels or her God, and— conversely—there were times when she would have given a very great deal for a witness that was human.
Because even for a mind as sharp as Mary Deerfield’s, it was the recognition of her own mean desires and roiling demons where things began to grow muddy.
One
There were two mistakes young men would make when they would first pick up a scythe: they would try to do all the work with their arms, and they would make their swathes far too wide. They would attack the grass, as if they thought it would get up and run away if they didn’t kill it quickly. It would be their fathers or their uncles who would demonstrate how much better off they would be if they would put their backs into the motion too, swinging the snath in an almost indecent, leisurely, metronomical sway. Draw the blade back, hands on the nibs, as the right leg strides ahead; then cut–imagine that sickle moon is the tip of a pendulum on a tall clock–as the left leg walks forward. That was the way.
If the blade were sufficiently sharp, great tufts of grass would collapse around the metal as it advanced through the field, and their arms would not feel like anvils.
The first time that Mary Deerfield’s husband hit her, she didn’t relate the motion to scything: she was in too much pain and she was too surprised. Her skin stung. It was the second time, half a year later, just before she turned twenty and just after the first anniversary of the day they were married, that she noted that he punched her the way a knowledgeable man would scythe. His arm swung effortlessly, the movement graceful and efficient. An arc. She fell against the pumpkin pine table, the pewter candlesticks toppled over, and the tankard of hard cider he had been drinking spilled onto the floor and into the trencher with their dinner. Still, however, she saw most clearly the image of the men scything–the details from her memory more concrete in her mind than even the way the cider was puddling that moment in the stewed pumpkin–and the wavelike rocking of their upper bodies and arms.
He called her a whore and she said he knew that she wasn’t. He said he had seen her looking at other men, younger men, with lust in her gaze. She said this wasn’t true, but she thought he was going to hit her again. And so she prepared herself for the blow, her shoulders scrunched against her neck and her hands before her face. But he didn’t hit her. He was shaking with anger, unfounded though it was, and she hoped a good measure of guilt, but he didn’t strike her again.
Instead he stomped out the door, saddled Sugar, a handsome eight-year-old gray gelding with a black mane, and he was gone. She placed her fingers on her cheek and wondered at its warmth. Blood gathering under the skin? There would be swelling, it was inevitable, and she was glad that they had been alone. She was dizzy with shame. She took his mug and held the cold pewter against the skin where he had hit her, and sat down in her chair. She contemplated a mystery: How is it I am humiliated when I am alone? Does not humiliation demand an audience?
Four years later, Mary Deerfield’s husband snored beside her in bed. In public, he was never a loud or offensive drunk, which was probably why he had never been fined or sent to the stocks. He kept his anger inside his home, and rarely (perhaps never) did he allow it to vent when their young servant girl, Catherine, was present or when his grown daughter would visit. Mary thought she heard the girl moving downstairs now, somewhere near the fireplace, but she couldn’t be sure. It might have been the wind.
The poor girl’s brother was dying. The boy was Catherine’s twin, and he had always been more frail than his sister. The two of them were eighteen. He probably wasn’t going to make it through the fall. Like her, he was indentured. Catherine said this evening that he had managed to nibble at his supper and keep down a little meat, but otherwise his complexion was bad and a few pieces of pork weren’t going to prevent him from withering away.
When Mary’s husband had returned tonight from the tavern, she had pretended she was asleep. He had stayed extra late. She had felt him looking at her, but she knew that he wasn’t going to wake her to apologize for striking her earlier that evening. (And he certainly hadn’t been watching her because he had been contemplating the idea they would couple. There wasn’t a prayer of that, not after all he had probably drunk.) Over the years, a pattern had emerged. He’d drink, he’d hit her, and he’d go away to drink some more. The next day, he would say he was sorry. She presumed he would apologize in the morning for hitting her again tonight. He would insist on his own sinfulness before leaving for church. She recalled what they had squabbled about: the garden looked weedy and unruly, and he felt it reflected badly on him. At least that was how it began. She knew he had other demons that pricked him with tines as sharp as needles.
Thomas was forty-five, not twice her age, but close enough. She was his second wife, his first — the former Anne Drury — having died eight years ago, soon after Mary’s own family had arrived in the colony, when Thomas’s horse had kicked her in the jaw and snapped her neck. Thomas had shot the animal that night, even though it had been a docile beast until that terrible evening. He and Anne had had three children together, two of whom had died young, but a third, Peregrine, was an adult now. The woman had married only weeks before Mary herself had wed Peregrine’s father. Consequently, Mary had never lived under the same roof with her, and given the reality that the two were contemporaries, she was glad. After all, she was both Peregrine’s stepmother and her peer: she couldn’t imagine having to discipline someone almost her age. Peregrine was more like a stepsister than a stepdaughter, albeit a stepsister who, Mary suspected, didn’t much like her for the simple reason that she wasn’t Anne. Peregrine now had children of her own, which meant that Mary, though only twenty-four, was a grandmother. The idea on occasion left her doleful and reeling.
She closed her eyes and listened to the sounds of the autumn night. There were still leaves on the trees in the marketplace and the commons that hadn’t been girdled, but soon those leaves, too, would fall, and there would probably be a killing frost as soon as the moon was full. It was well beyond half now. She touched the spot on her face where Thomas had hit her, aware that people might ask what had happened in the morning. Then, while conjuring a reason for the bruise that she could tell them, she fell into a deep sleep.
I know the taverns and ordinaries. That is no secret and nothing for which I need either this court’s or the Lord’s forgiveness. But have I ever been fined for too much drink? No. Hast thou ever lashed me publicly for such offense? Of course not. This court knows me, it knows my mill. And, yes, though there is evil within me and my heart is inclined to sin; though I have reason often to be ashamed before God; the truth is that I have tried always to glorify God in all things. Though I will have many failures to answer for in the end, my comportment toward my wife, Mary Deerfield, will not be among them.
–The Testimony of Thomas Deerfield, from the Records and Files of the Court of Assistants, Boston, Massachusetts, 1662, Volume III
Two
Mary Deerfield knew she was beautiful. Her eyes were delft blue, her skin as pale and smooth as the porcelain on which they occasionally dined back in England when she was a girl, and so there were moments when she worried that her conceit was a sign she should watch. It was not good to be prideful.
Still, as she dressed for church she was relieved to discover that Thomas had struck her just close enough to her ear that she could actually hide the bruise under her coif if she tied it snugly around her face. Early that summer, she’d had to tell her neighbors that she’d walked into a cloak peg in the night, and she had been teased for her clumsiness by everyone but her mother, who, Mary feared, suspected the real source of the black-and-blue mark.
Church today would begin at nine, end at noon, and resume at two. This had been a good summer, with enough rain and sun that the men had gotten in three cuttings of hay for the winter, and the crops in the fields had grown larger than she had ever seen them here in Massachusetts. There were pumpkins nearly the size of butter churns. Today would be a service in which they needed to humble themselves before God and thank Him for their good fortune. The Devil had been noticeably absent, save, perhaps, for the death of the two babies on Marlborough Street and His visit to poor Catherine’s dying brother. In all fairness, the pitiable William lived in a home in which everyone knew the family hadn’t buried an ox bone in the foundation of the house when they had built it, or glazed any of the bricks in the chimney with salt. Some people had suggested that the babies’ deaths were the work of witches, not the Devil, but Mary saw only hysteria in that sort of speculation. Babies died all the time. And there had been no women she had seen or heard about who had manifested possession. If the Devil was recruiting handmaidens that summer, it was to the southwest in Hartford.
The truth was, it had been a lovely summer and a most pleasant September. The mill her husband owned would be grinding flour and cornmeal throughout the autumn and into the winter, and that might keep him in good spirits. When he was busy, he was happy, and he would drink only as much cider and beer as he needed to quench his thirst. Last night, she told herself as she finished dressing for church, would be the last time for a long time. Months. He really didn’t become drunk all that often. Soon enough he would wake, perhaps catch her gazing at her reflection or adjusting her collar or cuffs as they ate, and tease her gently for her vanity. He’d apologize and once more things would be well.
Or, at least, well enough. Tolerable.
Downstairs she heard Catherine uncorking the jug with the molasses and preparing their breakfast. One last time she checked her coif to be sure that it hid her bruise, and then she went down the stairs–a luxury here that she didn’t take for granted, since so many of her neighbors still had mere ladders connecting their first and second floors–and through the parlor, before joining the girl in the kitchen.
“Good Sabbath to thee, Catherine,” she said.
The girl smiled and bowed her head slightly. “I don’t hear Master Deerfield,” she said. “Is he well?”
“We’ll hear him any minute. He’s still asleep.”
She saw that Catherine had already latched her bedstead upright against the wall and set the table for breakfast. The girl didn’t have her own chamber the way that she and Thomas did on the second floor, but slept instead here in the kitchen and hall. The house, Mary knew, was impressive by Boston standards–her husband was a miller, so it was only fitting–but it paled against the home in which she had grown up in England. Here they had six rooms on two floors, not including the cellar but counting the storage room back of the kitchen. (She had to stoop when she went back there, and it had now gotten to the point where Catherine knew that corner of the house better than she did.) There was a nice hall and a parlor and kitchen on the first floor, and two spacious chambers on the second. There was a massive fireplace linking the kitchen and hall, a second, smaller fireplace in the parlor, and even a modest fireplace in the chamber she shared with Thomas. She knew of no more than a dozen other homes with three fireplaces and three chimneys, and one belonged to the governor, one to the reverend at the First Church, and the others to especially wealthy Boston merchants and traders, including her father.
She continued to hope that someday she would have children who would sleep in that second chamber–the way Thomas’s daughter from his first marriage had had her own room in the first house the man had built here–but she had understood for some time now this wasn’t likely. After all, they’d been married over five years.
“It was a late night for him,” Catherine said, referring to Thomas, and she was careful to allow no hint of disapproval to color her tone. But she never did. The girl rather fancied Thomas. Mary could see it in the way her cheeks sometimes grew flushed around him or the way she would hang on his words as if he were a pastor. She hovered over him and sometimes seemed to follow him like a well-trained dog.
“It was,” Mary agreed, glancing at the pot over the fire, and pausing to savor the plaintive trilling of the mourning doves that had nested in the oak just outside the kitchen window. They were continuing to coo when she heard Thomas waking, but Mary stopped listening to the birds so she could focus on the noises above her. Sometimes she could tell her husband’s mood by the first sounds he would make in the morning. If his day began with a great contented stretch and yawn, he would remain in good spirits, at least through their midday dinner. If, on the other hand, his lungs were packed and he began either by coughing or spitting, then he would be ornery and she would find herself hoping that he would remain at the gristmill until the end of the afternoon when he returned home for supper.
She heard the thump of his feet hitting the hardwood floor, followed by a sound that could be likened to a great male cat purring: the low rumble that Thomas Deerfield would make when he would stand, drowsy and well pleased with his world, on a good morning.
She wanted to look at Catherine for the reassurance that the girl had heard it that way, too, but Thomas was a gentle patriarch around Catherine. The girl may have known that her master had a temper, but it couldn’t have seemed extreme to her, and any discipline he exerted upon his wife in front of her was well within reason. Besides, Mary refused to acknowledge that her home’s tranquility was really so fragile, and so she focused instead on taking the Psalter down from the shelf and finding one of the psalms with which Thomas liked to open their day.
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